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This category is dedicated to festival announcements and reviews, markets, trade fairs and travel reports that have something to do with what we do.
  • “My good friend, for the last 56 years.” Spiridon Shishigin visited Leipzig

    A Yakutian jaw harp dangles from the neck of Spiridon Shishigin on a thin braided cord. It is embedded in a little wooden box. The jaw harp catches the eye as it is embellished with a big “65”. “This Khomus”, says Spiridon, after he finishes playing the first tune on another jaw harp, “I got as a present from my friends on my 65th birthday. That was last year. Now, I’m 66 years old. I’ve been playing since I’m 5. The Khomus is a good friend of mine for 56 years now.” He speaks cautiously, with a lowered voice. He smiles, then takes the precious jaw harp into both of his hands, lifts it to the mouth, pauses, pants, lets it sink to his breast for a moment, as though he’d like to emphasize his words by these movements, and then finally he puts the instrument that marks his anniversary to his lips.

    On 15 February Spiridon visited the project shop “Sinn und Sein” (Sense and Being) in Leipzig. About 30 fans and guests from the whole region gathered to see the world-famous jaw harp virtuoso from Yakutia in concert. Here – where the minds behind the Ancient Trance Festival conduct their planning meetings as well – is a hint of Indian Chai in the air on this winter evening. Coloured lights provide the backdrop for the warm sound from the eternal ice and long winters. "I’m from Siberia and play 'the tundra' for you on my jaw harp," Spiridon says and makes use of one esteemed element in the Yakutian art of the jaw harp, which connects sound and vibration with nature and landscape: improvisation.

    "I play the tundra for you, but I need to confess I’ve never been there, actually. A trip to the tundra takes so much longer than travelling to Berlin. When taking a plane I arrive in Berlin after 9 hours. If I intend to travel to the tundra I need to fly and then go by car for hours. That’s why I’ve never been there." The steady wind of the tundra blew through Leipzig – evoked by the Khomus, the Yakutian jaw harp. A “cuckoo” cried out of Shishigin’s throat and announced spring soon to arrive. Melodies appeared and started sketching an austere and never-ending landscape of the steppe in Northern Russia.

    Spiridon Shishigin performs at Sinn und Sein in Leipzig

    Spiridon Shishigin performs at Sinn und Sein in Leipzig

    Shishigin’s stage appearance happened thanks to his friendship with Clemens Voigt from DAN MOI. The both of them have known each other for 13 years and on that evening played a jaw harp duet for the auditory, too. Everyone in and around Leipzig who missed the opportunity to see Spiridon Shishigin live on stage – stay tuned: The master has good reason to visit the city more often in the near future. Recently his daughter’s family moved to Delitzsch, a town close to Leipzig.

  • Sustainability all along the line: The Ancient trance Festival 2016 backs responsible awareness of sound, environment and man.

    Ancient Trance Festival 2016

    The Ancient Trance Festival in Taucha started off as a small compact moment of concert for jaw harp music more than ten years ago. Just after the very first festivals the crowd was signalizing that they enjoyed the universe of transcendental live music, of resource-aware partying, and of join-in activities, created by the Ancient Trance team. During the first weekend in August 2014 more than 4000 people were drawn to Taucha.

    Ancient Trance Festival 2014

    How does the team of organizers look at the Ancient Trance Festival? Corinna Klinke belongs to the communication group of the festival team and provides an insight into the structures, the self-conception, and the vision of the future of Europe’s biggest mouth harp festival. For the DAN MOI blog Helen Hahmann talked to her.

    Helen Hahmann (HH): After the very successful Ancient Trance Festival in 2014 which also hosted the congress of the International Jews Harp Society, many people had probably marked the date in August 2015 as definitely not to be missed. But then you announced that you would pause for a year and not organize a next festival until 2016. Why did you do that?

    Corinna Klinke (CK): Even in the years before we liked to take a step back now and then. The festival grounds for example used to be larger a few years ago. There was another stage in the area which today is reserved for camping. After that, some of our team said that the festival was a bit too big, and so we decided to get smaller again and to put up a stage less in the following year. For us and the festival it is an important point to look what we are capable of. This is a sustainable treatment of and within the team – to keep in mind that the festival does not burn out our people. In the end we all do that voluntarily. In 2015 many team members questioned where to get the energy from to be able to cope with all the work. And then it became clear that we would need a break and pause for a year just to work on the mission and vision of the festival. What do we actually want and how can we realize this? One important issue at it was the appreciation of the work – not in a financial sense, but in the sense of how can we say thank you to the people managing all this. How can we grow together as a team for the festival to grow into a long-term project?

    HH: Who are the people organizing the festival?

    CK: Outsiders may easily get the impression that there are “hippies” behind those people, wearing dreadlocks and colorful rags. And of course, they are. But there are also other people being part of it who have organized similar events for different musical genres, and who just enjoy discovering something new. We are united by the kind of music, the virtuosity, and of course the aspect ‘mouth harp’. Besides, I for example like to be surprised by the music and groups I did not know before. So there is a varied mixture of people, and therefore their interests are quite diverse. This is the reason why we also used the past year to find a way of communication which satisfies everybody, which means consensus instead of content. We have organized ourselves in a structure called sociocracy. Different areas are divided into groups or circles which are specialized in certain tasks. When these groups meet there is a so called “check in” and “check out” providing people with the chance to “arrive”: some come from work, others from a world trip or from dinner with the family. That means each member of the group gets their own space. Furthermore there is a moderator who makes sure that each person gets the chance to speak. Or when somebody talks for too long or keeps repeating themselves, the moderator sets a frame or limit for the contribution.

    HH: How did you become part of the Ancient Trance Festival?

    CK: I have taken part since 2010. Back then I read an announcement on the bill-board saying that people were wanted. I met the team and pretty soon became part of it. Then for a few years I coordinated the press which I did because I had studied communication and media science in Leipzig. But after a while I found it monotonous, plus I had my first baby and that was the reason why I worked in the office. I liked it a lot, but it was also exhausting. Then in 2014 I joined in the artist support.

    HH: How has the program of the Ancient Trance Festival changed? Any alterations compared to 2014?

    CK: There will be many world music bands who have never played before at the Ancient Trance, but a few known bands will also participate in the festival, such as the Airtists around the Hungarian musician Aron Szilágyi. Especially with the jaw harp virtuosos there are of course always similar artists in different lineups, for example multi-instrumentalist and jaw harp player Nadishana from Russia. In 2016 he will be playing in a duo together with Dima Gorelik from Israel. We are also thinking about finding a main theme for the festival in the future, such as a musical theme for example or topics like sustainability or intercultural understanding. But these thoughts are still in process.

    HH: What are your visions about your engagement with the festival? What is motivating you? What do you hope to induce with this festival?

    CK: Well, I am motivated by the teamwork. Back then when I became part of that structure, I had some kind of aha moment: it is possible to communicate that way. Last year many were struck by the sociocracy and became interested. For example I am very impressed by the consensus decision: when we take a vote on something, we try not to decide by majority, but to attain a commonly agreed resolution.

    The Ancient Trance is not a festival going on until 3 am or even longer. At 1 am at the latest the stages are closing. But the nice thing is that afterwards there are people all over the place sitting in the meadow and playing music together, starting small sessions. The guests themselves playing music is maybe something not quite so common for festivals. At the Ancient Trance you can meet people, be it at a concert, playing music, doing the laughter yoga in the early morning hours, or at the lake enjoying the atmosphere. I think, many people are drawn by the otherness and uniqueness of the festival, and become interested in participating themselves. Many of our team were initially guests and then were up for joining in. That is what is motivating us!

    HH: What are your wishes for the future of the festival?

    CK: I wish that the Ancient Trance is growing in a “healthy way”. Many festivals were hyped and then quickly became something very big, which destroyed some of the charm of those festivals. I would not like at all to see this happening to the Ancient Trance. I rather wish that it will be growing with its resources and energies in a healthy way. Part of it will be, not to let it become a routine what we are doing, but to give space for spontaneous acting to keep the festival alive and open-minded. Open-minded in a sense of noticing what is happening around us, how society is changing, and how our guests are changing, who are the new guests and what are their wishes?

    The Ancient Trance Festival will take place from August 12th to 14th 2016. You can listen to the interview with Corinna Klinke on freie-radios.net: https://www.freie-radios.net/76226

    Ancient Trance Festival 2016

     

  • Marranzano World Fest 2016

    We are very happy to announce that this year we will make it to attend the Marranzano World Fest in Catania (Sicily, Italy) from July 14-17. This jaw harp and world music festival is organized volutarily by Luca Recupero from IPERcusSONICI and his team. We will contribute with a small stand with a fine collection of jaw harps. We are really looking forward!

    Website | Facebook

    Marranzano World Fest 2016

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